O TAMBOR QUE FALA: LINGUAGEM E PERFORMANCE MUSICAL NO „PEGA FOGO‟ DO TAMBOR DE CRIOULA.

Abstract

This thesis aims to develop an analysis of dialogic languageoftambor de crioula linked to the concept of musical performance, which are at stake both “musical” elements as “extramusical”. The tambor de crioula is a popular manifestation very diverse and contextual predominantly held by blacks, with profiles of participants, motivations, forms of organization, musical and choreographic structures that have similarities and differences which are expected commune in the collective practice. This communion of feelings is achieved in times when the musical performance reach the summit and, as they say, the tambor „esquenta' and „pega fogo', expressions that I adopt as a phenomenon of collective euphoria. Through ethnography of musical performance, I intend to demonstrate an interpretation of how the dialogic language is manifested in 'marchas de tambor‟in different musical performances, as well as some elements that influence the „pega fogo do tambor‟.