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    <title>TEDE Coleção:</title>
    <link>https://tedebc.ufma.br/jspui/handle/tede/1254</link>
    <description />
    <pubDate>Wed, 15 Apr 2026 22:54:55 GMT</pubDate>
    <dc:date>2026-04-15T22:54:55Z</dc:date>
    <image>
      <title>TEDE Coleção:</title>
      <url>http://tede2.ufma.br:8080/jspui/retrieve/1327/1.png</url>
      <link>https://tedebc.ufma.br/jspui/handle/tede/1254</link>
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    <item>
      <title>Ensino coletivo de violão: uma proposta didática para um curso técnico-profissionalizante no IFPI</title>
      <link>https://tedebc.ufma.br/jspui/handle/tede/6896</link>
      <description>Título: Ensino coletivo de violão: uma proposta didática para um curso técnico-profissionalizante no IFPI
Autor: BORGES, Erisvaldo de Sousa
Primeiro orientador: CORDEIRO, Risaelma de Jesus Arcanjo Moura
Abstract: This research aimed to develop a didactic proposal for Group Guitar Instruction within the&#xD;
Curso Técnico em Instrumento Musical at the Instituto Federal do Piauí (IFPI), campus&#xD;
Teresina Central. Based on a pedagogical demand observed in classroom practice, the&#xD;
research sought to reinterpret and adapt part of the teaching materials from the Violão na&#xD;
Escola Project to the technical and vocational education context. The study involved an&#xD;
analysis of the original material and a state-of-the-art literature review on pedagogical&#xD;
innovations in collective guitar teaching, highlighting contributions from authors such as&#xD;
Oliveira (2023, 2024) and Tourinho (2023). Bardin’s (2016) content analysis was employed&#xD;
as the main investigative method. The theoretical foundation draws on the concept of&#xD;
educational innovation as defined by Moran (2014); cooperative learning according to&#xD;
Johnson, Johnson, and Holubec (1999); the four pillars of learning proposed by Dehaene&#xD;
(2022); the use of active learning methodologies as presented by Carbonell (2016) and Moran&#xD;
(2018 and 2019); curricular innovation following Masetto and Gaeta (2016); Swanwick’s&#xD;
(2003) CLASP system; and the benefits of metacognition in musical learning as discussed by&#xD;
Hallam (2001) end Stervinou, Silva and Nascimento (2023). As a result, a didactic proposal&#xD;
was developed encompassing criteria such as repertoire selection, the use of open and closed&#xD;
scores, musical improvisation, and the writing of arrangements adapted to the student context,&#xD;
aiming to foster student protagonism. It is expected that this proposal will contribute to&#xD;
collective guitar teaching in vocational technical courses by offering strategies aligned with&#xD;
contemporary demands in music education and by promoting collaborative, dynamic, and&#xD;
contextualized learning.
Instituição: Universidade Federal do Maranhão
Tipo do documento: Dissertação</description>
      <pubDate>Mon, 02 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://tedebc.ufma.br/jspui/handle/tede/6896</guid>
      <dc:date>2026-02-02T00:00:00Z</dc:date>
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    <item>
      <title>Experiências musicais extraescolares e o ensino de música nos anos finais do ensino fundamental da escola CMCB Tácito Caldas em Paço do Lumiar-MA</title>
      <link>https://tedebc.ufma.br/jspui/handle/tede/6895</link>
      <description>Título: Experiências musicais extraescolares e o ensino de música nos anos finais do ensino fundamental da escola CMCB Tácito Caldas em Paço do Lumiar-MA
Autor: MATTOS JÚNIOR, Inaldo Mendes de
Primeiro orientador: DANTAS FILHO, Alberto Pedrosa
Abstract: This dissertation addresses the topic of extracurricular musical experiences of&#xD;
elementary school students. The scientific problem is: how to integrate students'&#xD;
extracurricular musical experiences into music education in the final years of&#xD;
elementary school in a public school in Paço do Lumiar, MA? Thus, the objective of&#xD;
this research is to suggest didactic advice to consolidate this integration, based on&#xD;
music education literature and the BNCC (National Common Curriculum Base). This&#xD;
is an applied research with descriptive intent. The research is bibliographical and&#xD;
documentary in terms of the sources consulted, and based on surveys in terms of&#xD;
methodological procedures. A semi-structured questionnaire is used. The data&#xD;
approach is quantitative and qualitative, using percentage analysis and interpretation&#xD;
of results based on the theoretical framework of the research. The results&#xD;
demonstrate that students engage in a permanent, diverse, and intense musical art&#xD;
outside of formal elementary education settings and support the importance of&#xD;
including these experiences in classroom music teaching. Furthermore, they indicate&#xD;
the need to combine teaching strategies to consolidate this approach for the benefit&#xD;
of the educational context of Luminense
Instituição: Universidade Federal do Maranhão
Tipo do documento: Dissertação</description>
      <pubDate>Tue, 10 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://tedebc.ufma.br/jspui/handle/tede/6895</guid>
      <dc:date>2026-02-10T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Sombras que educam, luzes que revelam: Percursos metodológicos do Teatro de Sombras no Centro de Ensino João Mohana em Peritoró-MA</title>
      <link>https://tedebc.ufma.br/jspui/handle/tede/6879</link>
      <description>Título: Sombras que educam, luzes que revelam: Percursos metodológicos do Teatro de Sombras no Centro de Ensino João Mohana em Peritoró-MA
Autor: GONÇALVES, Genicleia Vitório Silva
Primeiro orientador: VIANA, RaimundoNonato Assunção
Abstract: This research aimed to investigate Shadow Theater as a pedagogical, humanized,&#xD;
and inclusive experience in the context of Art/Education, capable of enhancing&#xD;
creativity, the development of interpersonal relationships, respect, and the&#xD;
protagonism of all those involved. The investigation was characterized as&#xD;
quantitative-qualitative field research, developed at the João Mohana State School,&#xD;
located in the city of Peritoró, Maranhão. The participants involved were licensed art&#xD;
teachers and students in the 1st year B of high school/2025 in the morning shift. The&#xD;
choice of the research location and class was based on the fact that it is the&#xD;
institution and audience with which the proponent of this research works. The&#xD;
intervention was carried out through the implementation of Shadow Theater in the&#xD;
school activities of the Basic Elective course, an interdisciplinary course focused on&#xD;
projects, with the aim of stimulating creativity, artistic expression, student&#xD;
leadership, and the appreciation of cultural traditions. The instruments used were&#xD;
observations, questionnaires, and photographic records of the participants'&#xD;
experiences during the intervention process, as well as a record of their impressions&#xD;
of the initiative at the end of the project. It is important to note that this culmination&#xD;
took place through the presentation of a shadow theater play, which sought to&#xD;
understand the impacts of this practice in the school environment. The research&#xD;
revealed a significant impact on the students' creativity and artistic expression,&#xD;
showing an increase in their ability to work as a team, in addition to developing a&#xD;
greater understanding of narrative and visual aesthetics. This interaction between&#xD;
students throughout the creative process promoted a sense of community,&#xD;
strengthening bonds of empathy and inclusion, even though the school community&#xD;
was facing challenges due to the renovation of the institution's building. As an&#xD;
educational product, this research made available a virtual pedagogical magazine&#xD;
entitled Bringing Light to the Shadows – Shadow Theater in High School, which aims&#xD;
to be a space for reflection and sharing of experiences and suggestions for practical&#xD;
activities experienced during the investigation and which can be consulted and tried&#xD;
out in other contexts of Basic Education.
Instituição: Universidade Federal do Maranhão
Tipo do documento: Dissertação</description>
      <pubDate>Mon, 02 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://tedebc.ufma.br/jspui/handle/tede/6879</guid>
      <dc:date>2026-02-02T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Ensino coletivo de violão e planejamento por unidades de aprendizagem: uma proposta desenvolvida no IFPI – Campus Picos</title>
      <link>https://tedebc.ufma.br/jspui/handle/tede/6878</link>
      <description>Título: Ensino coletivo de violão e planejamento por unidades de aprendizagem: uma proposta desenvolvida no IFPI – Campus Picos
Autor: MAGALHÃES, Marcos Vinícius da Silva
Primeiro orientador: CORDEIRO, Risaelma de Jesus Arcanjo Moura
Abstract: This research project in Arts proposes a plan that contributes to the practice of collective guitar&#xD;
teaching, based on the specificities of the curriculum and music teaching practices developed&#xD;
at the Instituto Federal de Educação e Tecnologia do Piauí (IFPI) – Campus Picos. In this sense,&#xD;
&#xD;
it makes a critical analysis of the scientific literature on the collective teaching of musical in-&#xD;
struments, supported by the author's experiences, emphasizing the specificities of the practices&#xD;
&#xD;
developed in spaces that promote professional and technological education; examines the insti-&#xD;
tutional documents that guide the teaching of Arts within the curriculum, and record the events&#xD;
&#xD;
related to the collective guitar teaching process at IFPI - Campus Picos; presents a planning&#xD;
proposal for collective guitar teaching using learning units. In the end, it answers the problem&#xD;
question: how can collective guitar teaching lesson planning be organized in order to respond&#xD;
&#xD;
to the specific demands and interests of the students of the elective subjects instrumental prac-&#xD;
tice guitar 1, 2, and 3 and the extension project ensemble practice - band, at IFPI - Campus&#xD;
&#xD;
Picos? The justification for the theme points mainly to the author's approach to the need to build&#xD;
teaching proposals in Music that are contemporary, interactive, diverse and contextualized to&#xD;
the students' reality. Its methodology is based on a qualitative approach of an exploratory and&#xD;
descriptive nature and, in terms of procedure, on documentary research, taking into account the&#xD;
researcher's experiences over 20 years of work. The theoretical basis is based on educational&#xD;
documents, history, laws, regulations, ordinances and the work of authors who deal with: music&#xD;
education, music in basic education, collective guitar teaching, collective music teaching, active&#xD;
methods, digital technologies in education, open pedagogies and other related topics. During&#xD;
the process and based on the documentary analysis method, primary documentary sources&#xD;
linked to the music teaching processes at IFPI - Campus Picos were selected and analyzed.&#xD;
Likewise, the practical activities developed, which took place concurrently with the research,&#xD;
were recorded and analyzed. Finally, we propose a planning model based on learning units,&#xD;
aimed at the practice of ECV contextualized to the field of research.
Instituição: Universidade Federal do Maranhão
Tipo do documento: Dissertação</description>
      <pubDate>Mon, 09 Feb 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://tedebc.ufma.br/jspui/handle/tede/6878</guid>
      <dc:date>2026-02-09T00:00:00Z</dc:date>
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